Josh Roberts co-founded Santo Recording with Christopher Sprague in 2010.
Josh’s studio engineering and live sound mixing credits stretch back to the mid '80’s. He started out at the College for Recording Arts engineering program and then went on to work at Linear Sound as a systems engineer. That lead pretty quickly to regular mixing gigs for many local bands in the SF scene like Pearl E. Gates (Pearl Harbor and the Explosions) and Chris Isaak. Josh went out on his first big tour as a monitor engineer in ’87 for The Budweiser Superfest, mixing monitors for the whole lineup: Patti LaBelle, Luther Vandross, Earth, Wind and Fire, Atlantic Starr, The Gap Band, Franky Beverly and Maze.
After a few years working for sound reinforcement companies, Josh was able to finally stop lugging around huge PA systems and go to work full time mixing bands for live shows. Mixed in were several internships and assistant jobs at studios around the Bay to gain studio experience. A connection with the seminal SF band Consolidated lead to a long lasting connection with Jack Dangers from Meat Beat Manifesto in the early ‘90s. Josh mixed every Meat Beat show for more than a 10 year span all over the world. Working with Jack lead to live and studio gigs throughout that time. Some of Josh’s credits (studio and live mixing) during that time span: Meat Beat Manifesto, MC 900 Ft. Jesus, Consolidated, The Melvins, Snail, Rappin Fortay, Digital Underground (yep, he worked on the Humpty Dance), NIN (remixes), Depeche Mode (remixes), C. J. Chenier, Bootsy Collins, and Stevie Ray Vaughn.
Josh then moved into regular gigs at many of SF’s most popular clubs: Wolfgang’s, Slim’s, The Fillmore, The Warfield, The Great American Music Hall, Bimbo’s, The Stone, etc… He mixed hundreds of bands during this time frame: Curtis Mayfield, Sonny Rollins, Miles Davis, Boz Scaggs, Santana, Carla Thomas, The Pogues, Butthole Surfers, Buck Naked and the Barebottom Boys, Los Lobos, X, Steve Earle, Firehose, Sun Ra and his intergalactic Arkestra, The Cramps and hundreds more.
Somewhere along here he played in Dieselhed, and continued to engineer projects in the studio with the goal of starting his own one day. Josh opened Roof Brothers Recording in Oakland in ‘96. In the late ’90’s and early ’00’s, he engineered records for SF punk bands like Handfulla Flowers, Hookey, Shotwell, Blonde Ambition, Verbal Abuse and more. As his studio credits continued, he engineered records by Sonny Smith, Seven Day Diary, Low Hum Satellite, Killing Floor, Epidemic, etc… As his chops got better, he did live gigs for larger bands like Ben Harper, King Crimson, Squirrel Nut Zippers, Beth Orton, etc…
For the past 9 years, Josh has been partnered with Christopher Sprague and has built two locations of Santo Recording. These days, you can find Josh working at Santo and running his new business, Clarity Estate Liquidation. www.clarityestateliquidation.com